Der Körper hat Konjunktur. Als ausgestellter, verfüg- und verführbarer begegnet er uns täglichim Übermaß. Es war nur eine Frage der Zeit, bis im Spiel der sich in den Wissenschafteneinander ablösenden turns auch ein corporeal (oder body) turn ausgerufen würde. Dabeibleibt im genannten turn der Gegenstand der Untersuchung nicht selten reduziert auf das, wasman im deutschen Sprachgebrauch »Körper« nennt: ein physisches Substrat, das wie ein Dingunter Dingen beschreibbar ist. Gegen diese Verkürzung stellt der Begri des »Leibes«,spätestens seit Edmund Husserl, eine präzise (...) theoretische Intervention in die wissenschaftlicheund philosophische Diskussion um Körper und Körperlichkeit dar: Dem objektiv beobachtbaren Körper, den wir haben, wird der lebendige Leib, der wir sind, gegenübergestellt. Diesem »Leib«, seiner Geschichte, seinen Varianten und seinem Versprechen gehen dieAutoren der vorliegenden Beiträge nach. Inhaltsübersicht Emmanuel Alloa/Thomas Bedorf/Christian Grüny/Tobias Nikolaus Klass: Einleitung I. Der Leibbegriff in der Phänomenologie Emmanuel Alloa / Natalie Depraz: Edmund Husserl – „Ein merkwürdig unvollkommenkonstituiertes Ding“ – Stefan Kristensen: Maurice Merleau-Ponty I – Körperschema undleibliche Subjektivität – Emmanuel Alloa: Maurice Merleau-Ponty II – Fleisch und Dierenz – David Espinet: Martin Heidegger – Der leibliche Sinn von Sein – Thomas Bedorf: EmmanuelLevinas – Der Leib des Anderen – Karel Novotný: Körper, Leib, Aektivität in Jan Pato č kasPhänomenologie der natürlichen Welt – Julia Scheidegger: Michel Henry – TranszendentaleLeiblichkeit – Jörg Sternagel: Bernhard Waldenfels – Responsivität des Leibes – Kerstin Andermann: Hermann Schmitz – Leiblichkeit als kommunikatives Selbst- und Weltverhältnis II. Zur Geschichte des Leibbegris Emmanuel Alloa: Archaische Leiblichkeit. Die griechische Antike und die Entdeckung desKörpers – Theresia Heimerl: Der Leib Christi und der Körper des Christen: Körper und Leib alszentrale Problemzonen des Christentums – Marc Rölli: Philosophische Anthropologie im 19. Jahrhundert – Zwischen Leib und Körper – Tobias Nikolaus Klass: Friedrich Nietzsche – Denkenam „Leitfaden des Leibes“ – Andreas Cremonini: Sigmund Freud – Der gelebte vs. derphantasmatische Leib – Uta Noppeney: Kurt Goldstein und Frederik Buytendijk – Der Leib-Begri in der organismischen Biologie – Volker Schürmann: Max Scheler und Helmuth Plessner– Leiblichkeit in der Philosophischen Anthropologie – Marion Lauschke: Ernst Cassirer und AbyWarburg – Kulturanthropologie III. Grenzen und Kritik des Leibbegris Christian Grüny: Theodor W. Adorno – Soma und Sensorium – Ulrich Johannes Schneider: Michel Foucault – Der Körper und die Körper – Burkhard Liebsch: Paul Ricoeur – Das leiblicheSelbst begegnet dem Widerstand des Anderen – Mirjam Schaub: Gilles Deleuze – Was weiß ein„Körper ohne Organe“ vom Leib? – Kathrin Busch: Jean-Luc Nancy – Exposition und Berührung– Shaun Gallagher: Embodiment: Leiblichkeit in den Kognitionswissenschaften – Marie-Luise Angerer: Gender und Performance – Ist leibliche Identität ein Konstrukt? – Thomas Bedorf/Selin Gerlek: Praxistheorien – Leibkörperliche Praktiken im Vollzug. (shrink)

This paper examines the evolving pattern of gender diversity of the boards of directors of leading Norwegian and British companies on a longitudinal basis. The period covered by the study covers the run up to proposed affirmative action legislation in Norway and, as such, affords an insight into corporate actions in this emerging institutional context. The findings demonstrate that, while board diversity has grown substantially in both countries in recent years, it has done so considerably more rapidly in Norway than (...) in the United Kingdom. The analysis highlights the sectoral variation between the countries in the pattern and growth of board diversity and suggests that the vast majority of the overall growth in board diversity is the result of changing firm behaviour rather than sectoral shift in the United Kingdom or Norwegian economies. It is also shown that as diversity has increased there has been no fall in how experienced female directors are; neither is there evidence of a rise in the number of boards that female directors sit on. This suggests that the rapid growth in board diversity has been achieved without any fall in the quality of female directors. (shrink)

Recent research has revealed the widespread effects of emotion on cognitive functions and memory. However, the influence of emotional valence on verbal short-term memory remains largely unexplored, especially in children. This study measured the effect of emotional valence on word immediate serial recall in 4–6-year-old French children (N = 124). Results show a robust effect of emotional valence on recall performances and recall errors. More precisely, we observed a facilitating effect of the positive valence of words: it allows better performance (...) and causes few recall errors. On the contrary, the data indicated a disruptive impact of negative word valence: the latter causes very low recall performance and is associated with a high proportion of recall errors. These findings add new evidence of the influence of emotion on children’s verbal short-term memory. Our results are discussed in relation to current semantic and attentional explanations of the emotional enhancement of memory. (shrink)

Les analyses des parcours de vie s’intéressent surtout au repérage des régularités du cycle de vie ou, tout au plus, aux écarts aux modèles types, en termes de retard des événements ou d’allongement des transitions sur les calendriers scolaires, professionnels, résidentiels ou familiaux. Les études empiriques suggèrent pourtant la présence de dynamiques non linéaires évoquant la possibilité que les parcours comportent des « bifurcations » où tout peut être remis en question, pouvant entraîner des changements durables de situation. Ce phénomène (...) est plus souvent interprété en référence à la capacité des individus de faire leurs propres choix qu’en fonction de l’influence possible des cadres institutionnels. L’étude de parcours scolaires et professionnels de jeunes Québécois dans les années 1990 constitue la base de cette réflexion sur la place des bifurcations dans les parcours de vie qui met l’accent sur le rôle des dispositifs institutionnels dans la création d’une flexibilité des structures, sur les phénomènes d’appropriation par les individus des opportunités offertes par cette flexibilité et sur le mouvement des réversibilités et irréversibilités construites à travers ce processus. L’analyse suggère que les individus peuvent s’engager dans des actions en évaluant les possibilités offertes par les institutions qui encadrent la vie sociale, qu’ils sont capables de percevoir les irréversibilités associées aux choix offerts et ainsi, de les prévenir, les exploiter ou s’y adapter. La croissance du nombre de personnes adoptant les mêmes comportements dans une situation donnée accroît ainsi la possibilité que ce choix se transforme en une convention sociale et que les bifurcations s’institutionnalisent.Life course analyses are mainly interested in identifying regularities in the life cycle or, at most, in deviations from typical patterns in terms of a postponing of events or of transitions within educational, career, residential or family trajectories. However, empirical studies point to the existence of non-linear dynamics and suggest the possibility that life paths may also include « bifurcations », where everything is placed in question, and that may lead to lasting changes in situations. This phenomenon is more often interpreted in reference to the individual’s capacity to make personal choices rather than in terms of the potential influence of institutional frameworks. This study is based on an analysis of the educational and career trajectories of Québec youth during the 1990s : it looks at the role of bifurcations in the life course, in emphasizing how institutional arrangements may help to create a flexibility of structures, and explores the phenomena of individuals seizing the opportunities offered by this flexibility. The study suggests that individuals may undertake actions after evaluating the opportunities presented by social institutions, and that they are able to grasp the irreversibility of certain choices and anticipate them, use them to their advantage or adjust their actions accordingly. An increase in the number of persons adopting the same behaviours in a given situation thus also increases the possibility that such a choice may evolve into a social convention and that these bifurcations may become institutionalized. (shrink)

Prior research that analyses the cross-firm variation in the prevalence of women on corporate boards has tended to emphasise the importance of firm and industry-level factors, such as firm size, the quality of corporate governance, and the proximity to final consumers. In contrast, very little research has explored the role of national institutional factors for this important phenomenon. In this study, we explore the relative importance of country, industry, and firm-level factors in explaining the cross-firm variation in the proportion of (...) directorships occupied by female directors. Findings indicate that while all levels of influence are significant, country-level effects are a highly-important and under-researched antecedent of the presence of women on corporate boards. (shrink)

This study sets out to evaluate the role and emerging salience of environmental managers in a longitudinal perspective through a series of interviews with UK based environmental managers. Our results suggest that coercive isomorphic pressures are particularly important in driving the increased salience of the environmental management role and that stakeholder pressures overall have increased since 2006 which has further contributed to the environmental management function emerging as central to the business organisation. Views on the impact of the financial crisis (...) were divided. (shrink)

In this article we explore the influences upon the proportion of women on a country’s corporate boards. Using a conceptual framework that builds uponnational business systems theory, we investigate the extent to which national economic, cultural, political and social institutions explain cross-country variationin the gender composition of corporate elites. In the context of a sample drawn from over 40 countries, our empirical analysis shows that such institutionscollectively explain approximately two-thirds of the variance between countries in the percentage of women on (...) their corporate boards. Specifically, our findingsshow that economic and cultural factors play a particularly important role in shaping the gender balance of boards in comparison to political and social factors. (shrink)

This text is based on an image that, in some ways, can be understood only in terms of sound. In the lonely darkness of a movie theatre, the audience spends ninety minutes gazing at a single image: that of a rubber dinghy drifting aimlessly on a vast expanse of water.This is the rare challenge posed by German filmmaker Philip Scheffner with his documentary Havarie: viewers are asked to focus on a single image while listening to a variety of sounds – (...) especially the voices of many nameless individuals discussing their own drifting journeys.A few years ago, Scheffner happened “totally by accident” to come across a cellphone video on YouTube lasting three minutes and thirty-six seconds; it was titled simply “refugees”... (shrink)

For several years now, early cinema historians have developed certain notions that can help us define, in a much broader context, the axes of research in intermedial studies. Even though I’ll be giving it a slightly different importance, the notion I will be borrowing from these historians here is that of the “parameter.” Work by André Gaudreault and Philippe Marion on the emergence of the cinematographic medium relies on the idea that the medium appears as the result of a choice (...) made by the historian. To write the history of any given medium and separate it into periods, one must also select the components “that gathered together as a way of giving ‘birth’ to that medium at.. (shrink)

This paper examines the relationship between identities and the bicycle as portrayed in films. The analysis finds that taking the viewpoint of the bicycle emancipates the bicycle from being subjected to closure, as the constructionists would have it, and thus articulates the differences with which the bicycle can communicate to its rider. The paper examines the bicycle as depicted in three films: Premium Rush (Davis Koepp, 2012), A Sunday in Hell (Jørgen Leth, 1977) and Life on Earth (Abderrahmane Sissako, 1998). (...) It engages with the concept of ‘interpretative flexibility’ and the development of the bicycle, as examined by Wiebe Bijker and others, and argues that the interpretative flexibility of bicycles does not cease just because the high-wheeler was abandoned and the ‘safety’ bicycle was universally accepted. The fight for the role of the bicycle continues and the bicycle is subject to constant transformations in order to reconstruct it according to human needs. Andrew Feenberg’s modified constructivism is applied to re-examine the technical development of the bicycle, claiming that technology is dependent on specific social structures as well as human agency. The paper argues that just as social structures are negotiable and unfixed at any point in time, the bicycle too is never neutral but remains negotiable and unfixed. Consequently, since the bicycle constantly ‘speaks’ back to the user, there is never closure in the technical development of the bicycle. Drawing on the writings of Bruno Latour and the Deleuzian idea of assemblages, the bicycle and its rider are considered as an organic entity that is constantly forged and un-forged. Understanding the rhetoric of the bicycle machine helps the convergence of a bicycle becoming with becoming a rider, marking the bicycle as equal to its rider. Viewed in this way, the hierarchy of agency collapses and a crystallization emerges out of the rider and bicycle entwinement. (shrink)

Je cherche ici à renouveler la compréhension de l’esthétique merleau-pontienne en lisant les notes de son premier cours au Collège de France, « Le monde sensible et le monde de l’expression ». Ce faisant, on peut voir certains films de Godard comme prolongeant la réflexion du philosophe, éclairer le rapport de Deleuze à la phénoménologie et enfin resituer Merleau-Ponty dans le contexte des pratiques artistiques contemporaines. La portée de cette phénoménologie du mouvement dépasse cependant le cadre de l’esthétique dans la (...) mesure où elle laisse entrevoir une solution au problème du passage du perceptif au conceptuel. (shrink)

John Dewey and the prominent contemporary public philosopher Peter Singer both give naturalistic consequentialist accounts calling for actionable steps within present contexts. In the following pages, I put Dewey and Singer in conversation, focusing on commonalities and differences in their moral approaches, and in particular their diverging conceptions of how individuals can be understood within moral problems. My motivations for this writing stem from a sympathy for the ideals put forward by the effective altruism movement, an influential approach inspired largely (...) by Singer. Effective altruism (EA) has been particularly influential in the contemporary animal protection movement, a community that I count myself... Read More. (shrink)

Jean-Luc Godard’s Eye and MindIn his commentary concerning Jean-Luc Godard’s film, Deux ou trois choses que je sais d’elle, the film critic, Alain Bergala, writes that certain sequences of this film are “at the same time cinema and philosophy of cinema, a philosophy not very far from that of Merleau-Ponty in Eye and Mind, but a joyful and actually cinematic philosophy.” Here I propose a reading of Godard’s certain works found in different periods (Deux ou trois choses que je sais (...) d’elle, Ici et ailleurs, Passion et JLG – Autoportrait de décembre), according to this precise axis, namely, as a cinematic response to Merleau-Ponty’s Eye and Mind. To do that presupposes that we open up the stakes of this famous text, which is at the limit of the philosophical and political, and that we grasp the work of the filmmaker as a movement of thought which continues and deepens Merleau-Ponty’s questions concerning the political dimensions of flesh.L’occhio e lo spirito di Jean-Luc GodardNelle sue osservazioni sul film di Jean-Luc Godard, Deux ou trois choses que je sais d’elle, il critico cinematografico Alain Bergala scrive che alcune sequenze del film sono “allo stesso tempo cinema e filosofia del cinema, una filosofia non troppo lontana da quella elaborata da Merleau-Ponty in L’occhio e lo spirito, una filosofia gioiosa e davvero cinematografica.” Propongo qui una lettura di alcune opere godardiane di periodi differenti (Deux ou trois choses que je sais d’elle, Ici et ailleurs, Passion e JLG – Autoportrait de décembre), muovendomi lungo questa stessa linea, dunque intendendo quelle opere come una risposta “cinematografica” a L’occhio e lo spirito. Fare questo significa, d’altra parte, rianimare la posta in gioco di questo celebre testo, situata al limite tra il filosofico e il politico, e assumere l’opera del regista come un movimento di pensiero che prolunga e approfondisce l’interrogazione merleau-pontyana sulle dimensioni politiche della carne. (shrink)

In contemporary art, a growing number of artists experiment with non-humans in their actual artworks. This paper examines the issues related to such practices with reference to Jakob von Uexküll’s analyses of the configuration of meaningful worlds by non-human animals, as well as Merleau-Ponty’s and Deleuze-Guattari’s interpretations of Uexküll’s ideas. Uexküll maintained that every living being lives in a world with meaning; Merleau-Ponty understood this claim as situating the beginning of culture in the creativity of non-humans; Deleuze and Guattari emphasized (...) the melodic and rhythmic dimension of this creativity, mainly interpreted as territorialization processes. These elements are paramount to understanding what is at stake with artworks featuring non-humans: considering projects proposals from Agnes Meyer-Brandis, Tomas Saraceno, Ana Maria Lopez Gomez and other contemporary artists, the conclusion is that an artwork featuring an encounter between two territorializing movements has the potential to transform the human range of perception. (shrink)

When working with literature in the philosophical classroom, teachers can take pupils on journeys through time, history, other cultures, and fictional universes. Since literature invites readers into the lives and minds of others, the pupils can try on another person’s thoughts, emotions, life experiences, perspectives, attitudes, and worldviews. Thus, literature offers a unique window of experiences that has great potential for the philosophical classroom. In this—primarily theoretical—article, it is argued that the combination of literature and philosophy is valuable when practicing (...) philosophy for children in the classroom. First, the combination may cultivate the pupils’ dispositions for being caring, creative, critical, and collaborative thinkers. Second, it may add to the pupils’ ethical formation with special attention to (i) the pupils’ understanding of values, (ii) their sense of individuality and sociality, (iii) the development of their cognitive flexibility and empathy, and (iv) their ethical awareness through ethical argumentation and reflection. In addition to presenting these points, this article will offer brief examples suggesting how school practitioners may use literary texts to prompt ethical reflections through philosophical questions and enquiry. (shrink)

Annabelle Dufourcq défriche des terrains glissants et instables avec méthode et rigueur, et aménage les conditions pour que de nouveaux concepts apparaissent. Elle est une sorte de permacultrice de la philosophie : elle laboure des textes classiques pour étayer des thèses inattendues ; elle bouture des concepts pour les laisser bourgeonner librement, elle mélange le compost et aère le terreau des problèmes encroûtés pour élargir le champ des relations entre humains et non-humains. Elle a publ...

This contribution explores the connection between health and subjectivity. Up until recently a marginally discussed topic in health theories, recent critical research in health psychology introduces notions of subjectivity to theories of health. These notions can be linked to phenomenology, embodied subjectivity, and psychosocial theories that have moved away from a partial, internal understanding of subjectivity. These recent theories tend to define subjectivity as a coherence of concrete, embodied and situated subjectivity that extends capabilities and activities towards a world of (...) social relations. The article at hand shows that embodied and situated subjectivity is a basic function of health that sustains the qualities of human life. To comprehend health as a subjective practice in human lives, we need an understanding of people’s subjective participation in their everyday social lives. Hence, I will argue for the concept of conduct of life as an important concept for health psychology. The concept of conduct of life enables an analysis of how people conduct their activities and of their access to life possibilities, within social settings and societal power systems. The concept can be used to analyse the connection between subjectivity and health in the cultural and social relations by which people actually live. (shrink)

What kind of futures does agro-food imaginaries enable and who can get involved in the making of agro-food futures? In this respect, what can the increasingly influential idea of circular economy potentially offer in terms of enabling more sustainable agrofood futures? We approach this task by first outlining the interconnected challenges that the agro-food system is facing related to environmental degradation, economic crises and social problems. Then we consider the way these challenges are being addressed in agro-food studies. We argue (...) that agro-food research in recent years has seen important contributions in relation to studies of alternative food networks and the “quality” turn. These research agendas have challenged the current logic of the food system in terms of offering alternative visions of future development. We highlight two examples from the literature—the eco-economy and the integrated territorial agri-food paradigm—that develop broader frameworks for rethinking the future of the agro-food system and which have distinguished themselves in contrast to the industrialized and globalized conventional food system. We find that with respect to reorienting and reconfiguring economic structures and relations all three approaches share a common goal, but circular economy stands out in relation to the actors that are included by, for example, emphasizing collaborations and partnerships with extant agro-food businesses. Also with regards to scalar politics, it would be prudent to consider the potentials offered by the increasingly influential ideas around circular economy. (shrink)

This essay is a second attempt to reconcile the perspectives of Merleau-Ponty and Guattari, following on the examination of the unconscious in a previous issue of Chiasmi. Here the focus concerns an ontology that overcomes the dualistic heritage of Western metaphysics. More precisely, I compare the concept of flesh as Merleau-Ponty employs it in his later texts with that of the machine as Guattari uses this from the end of the 1960s until his last writings in the early 1990s. The (...) machine concerns the potential for transformation in a given social and political configuration, so that the ontology to be drawn from this concept is a thought of transformation. The position of individual subjectivity in this context is not so different from that granted to it by Merleau-Ponty in his last writings: a curvature of the flesh or, as Deleuze and Guattari write about the artisan in A Thousand Plateaus, “one who is determined in such a way as to follow a flow of matter.”Cet essai est une deuxième tentative de rapprochement des perspectives de Merleau-Ponty et de Guattari, après la problématique de l’inconscient traitée dans un précédent numéro de Chiasmi. Cette fois elle a lieu sous l’angle d’une ontologie qui surmonte l’héritage dualiste de la métaphysique occidentale. Plus précisément, je mets en comparaison la notion de chair telle que Merleau-Ponty la met en oeuvre dans ses textes tardifs et celle de machine telle que Guattari l’emploie depuis la fin des années 1960 jusqu’à ses derniers écrits du début des années 1990. La machine concerne le potentiel de transformation dans une configuration sociale et politique donnée, de sorte que l’ontologie qu’on peut tirer de cette notion est une pensée de la transformation. La position de la subjectivité individuelle dans ce contexte n’est pas très différente de celle que lui accorde Merleau-Ponty dans ses derniers écrits : une courbure de la chair, ou comme l’écrivent Deleuze et Guattari dans Mille plateaux à propos de l’artisan, « celui qui est déterminé à suivre un flux de matière ».Questo saggio è un secondo tentativo di avvicinare le prospettive di Merleau-Ponty e di Guattari, dopo quanto fatto in un precedente numero di Chiasmi attorno alla problematica dell’inconscio. Questa volta, tale raffronto sarà nella prospettiva di un’ontologia che superi l’eredità dualistica della metafisica occidentale. Più precisamente, intendo confrontare la nozione di carne, nel modo in cui essa prende corpo nei testi dell’ultimo Merleau-Ponty, e quella di macchina di Guattari, nella maniera in cui è caratterizzata dall’autore a partire dalla fine degli anni Sessanta fino ai suoi ultimi scritti dell’inizio degli anni Novanta. La macchina riguarda il potenziale di trasformazione in una configurazione sociale e politica data, e quindi l’ontologia che ne deriva implica un pensiero della trasformazione. In questo contesto, la posizione della soggettività individuale non è molto diversa da quella caratterizzata da Merleau-Ponty nei suoi ultimi scritti: una curvatura della carne, o, come scrivono Deleuze e Guattari in Millepiani a proposito dell’artigiano, “colui che è determinato a seguire un flusso di materia”. (shrink)

My article examines the role played by the phenomenon of silence both in Merleau- Ponty’s thinking and in Lyotard’s. I show thereby the continuity between the two philosophers in spite of the distance taken by Lyotard towards the phenomenological tradition. The aim of phenomenology to express the pure sense of silent experience is in fact taken up in a peculiar way by Lyotard as the action of desire and can well be used as a key to understand the unity of (...) his thinking. The comparison between Merleau-Ponty and Lyotard also shows that silence is a central topic in order to understand the political dimension of works of art, not as participants in political struggles, but as tools made for the empowerment of our capacity to perceive. (shrink)

The psychoanalyical notion of the unconscious is often considered as being out of reach for phenomenological thinking. When Merleau-Ponty refl ects on it, he takes the unconscious as the realm, in bodily life, that being not yet conscious, is likely to become conscious. He formulates it in his Résumés de cours with the famous sentence “The unconscious is the sensing itself”. Lacan, facing this interpretation, explains that Merleau-Ponty fails to recongnize the essential discontinuity between consciousness and the unconscious. From that (...) criticism, it is possible to follow the reflection of Félix Guattari who develops, both alone and in collaboration with Gilles Deleuze, a conception of the “machinic unconscious”, a notion that can be read as an attempt to articulate the merleau-pontian and the lacanian approaches and to sketch out a theory of the becoming-subject. My aim in this paper, in speaking about “Merleau-Ponty Tomorrow”, consists therefore in appropriating some of his suggestions in this regard and to detect them in an unexpected context, thereby also noting the differences between them. Through this dialogue, I get to a position where it is possible to outline a critique of the contemporary “theory of the self”, which in myview is unaware of the fact that the self is always already caught in power relations. Guattari’s “micropolitics of desire” allows precisely to account for that and thus to develop the phenomenological approach to the self. (shrink)

La sensation d'être soumis à une contrainte implacable peut déclencher une souffrance intense, une activité délirante, ou bien une créativité irrépressible. Elle peut prendre la forme d'une "machine" à influencer. Cette figure majeure de la maladie psychique depuis deux cents ans est le point de départ et le fil conducteur pour éclairer la structure complexe et paradoxale de la subjectivité. Loin d'être un outil technique, elle est un enjeu d'abord existentiel et esthétique. De Tausk à Szondi et Maldiney, de Merleau-Ponty (...) à Guattari et Deleuze, de Deligny à Nauman et Duchamp, de Sobchack à Epstein et Godard, et enfin, à nouveau, de Merleau-Ponty à Guattari, on voit émerger les contours d'une subjectivité en tension,toujours déjà habitée d'une altérité qui la garde en mouvement. Et l'ontologie de la chair apparaît finalement comme un champ essentiellement politique. (shrink)

David Abram est l’un des protagonistes les plus influents de la philosophie environnementale, aux confluents de l’écosophie d’Arne Næss et de l’ontologie de la chair de Maurice Merleau-Ponty. Cette brève contribution relève certains motifs et arguments centraux de la pensée d’Abram, en particulier son interprétation de la spécificité de l’animalité humaine et la perception du caractère animé du paysage. Elle ancre Abram dans une cosmologie animiste et donne une réponse à la question de la forme que pourrait prendre une sagesse (...) indigène contemporaine en Occident. (shrink)

With particular focus on Danish artists Henry Heerup (1907-1993), Carl-Henning Pedersen (1913-2007) and Asger Jorn (1914-1973), this article illustrates how spontaneous-abstract artists in World War II-era Denmark helped to perpetuate an idealized image of the Middle Ages as a homogeneous and unspoiled social order. It is argued that these artists took medieval culture to represent an uninhibited, irrational art, which they believed had somehow remained unsullied and beyond the exploitation of modern society’s political and capitalist powers. It is further demonstrated (...) that these artists’ idealizations tended to project onto the Middle Ages certain ideas about collectivization and the potentials of institutional critique; these commentaries resonated deeply with the volatile war and post-war political climate of their own times as well and had a clear lineage in earlier movements such as Gothic Revival, Arts and Crafts, Art Nouveau and Symbolism. This article thus posits that the medievalism in and of Danish spontaneous-abstract art can no longer be seen as independent of and unrelated to the medievalisms of the eighteenth and nineteenth centuries. (shrink)